Musical Interaction

Featured
Audience interaction: Approaches to researching the social dynamics of live audiences

Healey, Patrick G. T.; Harris, Matthew T.; Schober, Michael F. (2022). Routledge companion to audiences and the performing arts (pp. 308-325) [LINK] [request]

Discrepancies and disagreements in classical chamber musicians’ characterisations of a performance

Spiro, Neta; Schober, Michael F. (2021). Music & Science (4) [LINK]

What about their performance do free jazz improvisers agree upon? A case study

Pras, Amandine; Schober, Michael F.; Spiro, Neta (2017). Frontiers in Psychology (8) [LINK]

Listeners' and performers' shared understanding of jazz improvisations

Schober, Michael F.; Spiro, Neta (2016). Frontiers in Psychology (7) [LINK]

Jazz improvisers' shared understanding: A case study

Schober, Michael F.; Spiro, Neta (2014). Frontiers in Psychology, 5 [LINK]

Audience

Schober, Michael F. (2014). In Music in the social and behavioral sciences: An encyclopedia (pp. 96-101) [LINK] [request]

Perspectives on music and communication: An introduction

Spiro, Neta; Schober, Michael F. (2014). Psychology of Music42(6), 771-775 [LINK] [request]

How much do jazz players share understanding of their performance? A case study

Schober, Michael F.; Spiro, Neta (2013). International Symposium on Performance Science [LINK]

Engaging audiences

Healey, Patrick G. T.; Frauenberger, Chris; Oxley, Rachel; Schober, Michael F.; Welton, Martin. In CHI 2009 Workshop: Crowd Computer Interaction, Boston, MA, April, 2009. [LINK]

Virtual environments for creative work in collaborative music-making

Schober, Michael F. (2006). Virtual Reality10(2), 85-94. [LINK] [request]

Detecting and resolving metrical ambiguity in a rock song upon multiple rehearings

Vazan, Peter, & Schober, Michael F. (2004). Detecting and resolving metrical In Proceedings of the 8th International Conference on Music Perception and Cognition. Evanston, IL. [LINK]